10.08.2009

Riding Bareback

HORSES
[Witter Bynner]

Words are hoops
Through which to leap upon meanings,
Which are horses’ backs,
Bare, moving.


I love this poem for several reasons.

One: It is about horses. Or at least, has horses in it, and the writer has captured something of how horses move, and of what it feels like to ride bareback.

Two: It is a wise poem, in its laconic brevity. There is an authority in the description here that has to do with being willing to say one thing, precisely; one thing, not everything.

Three: The lineation. Each line is a simple, compelling statement, which builds on the previous thought but adds something distinctly new. Each line, in fact, has the quality good story endings are supposed to have, of feeling surprising yet inevitable.

Four: I read the whole poem as a metaphor for words as signs, for the relationship between signifier (word) and signified (meaning). Its brevity works for it here, too, in that it shapes the image, in four strokes, and leaves it there. In the debate over whether words have anything like an objective meaning, what I find interesting is the tension. Common sense seems to demand an acceptance, simultaneously, of both extremes: Words clearly do not mean the same thing to each subjective person, and the possible slippage, and failure in transfer of meaning, has no limits; and yet in experience there are moments, both mundane ones and transcendent ones, when words make that leap and land, against all the odds, on meaning. Julie Brown, a poet-critic friend, put another view of the paradox to me once: “I don’t believe communication is ultimately possible. But I believe it’s necessary to live as though it were.” Her faith here reminds me of the two central claims of Christianity, which are both unresolvable paradoxes: God is three, yet one. Christ is fully human, fully God. The orthodox creeds assert both extremes without seeking logical resolution. Similarly, the taut physicality of Bynner’s bareback metaphor, the leap that is at its center, rides the central paradox of what human words are capable and incapable of doing, and being, in the world.

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